Film of the Week are delighted to once more be bringing you daily reviews of the very best films in Competition, Un Certain Regard, Cannes Classics, Directors’ Fortnight and the Critics’ Week sections at the 76th Cannes Film Festival.

Catherine Bray Catherine Bray

La Chimera

“His grubby linen suit is never quite free from wrinkles or the suspicion that the armpits, were you to investigate them, would be stained with sweat. He’s a cigarette stub of a man. Despite all this, he’s still rather attractive.”

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Guy Lodge Guy Lodge

Last Summer

“Who would do such a thing, we think, and why? And yet, via Breillat’s muted yet sensually heightened direction, and Drucker’s immaculately controlled yet internally free-falling performance, we buy it.”

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Catherine Bray Catherine Bray

Chicken For Linda!

“Visually, Chicken For Linda! is a vivid Fauvist dreamscape, but with down-to-earth verité style sound design making the most of naturalistic performances by the voice-cast, two contrasting choices which brush up against each other nicely.”

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Catherine Bray Catherine Bray

Asteroid City

“The graphic design flourishes, the compositional symmetry, the twinkly score, the arch camerawork, the retro clothing, the monogrammed everything… what does it all add up to? For thousands of people, the answer is: pure heaven.”

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Catherine Bray Catherine Bray

Killers of the Flower Moon

“Martin Scorsese’s Killers of the Flower Moon is an ambitious blend of Western and film noir, fashioned brick-by-brick from a steady procession of solid creative choices, from the casting of minor roles (look out for Louis Cancelmi, Cara Jade Myers and Ty Mitchell in particular) to the humour of the highly quotable dialogue.”

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Guy Lodge Guy Lodge

Anatomy of a Fall

“Deliberate and elegant in form, but with a fast heartbeat under its serenity, Anatomy of a Fall gives its audience plenty of space to breathe and gaze and ponder matters less immediate than simply whodunnit“

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Guy Lodge Guy Lodge

May December

“The film begins to play like Bergman’s Persona as filtered through the gauzy lens of American daytime drama and dehumanising National Enquirer reportage.”

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Catherine Bray Catherine Bray

Vincent Must Die

“Could you taser a kid if they went for your jugular? These are the kinds of questions you’ll find yourself asking as you watch this film, which immediately helps it to stand out from the vast majority of cinema.”

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Catherine Bray Catherine Bray

Tiger Stripes

“This latest addition to the monstrous feminine canon is a supple and engaging film that claws at your heart.”

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